Shakespeares Alls Well That Ends Well, Macbeth, Much Ado About Nothing, and Hamlet :: Free Macbeth Essays

determination Ourselves in Shakespe bes Alls Well That Ends Well, Macbeth, Much Ado About Nothing, and Hamlet Who be we? Paul Simon said, I am a rock. John Lennon said, I am the walrus. Steve Miller said, Im a joker, Im a smoker, Im a midnight toker. Richard Nixon said, I am non a crook. Basically, it boils down to this people naturally dont really receipt who they argon, or really are. These metaphorical song lyrics (excluding Tricky Dick) seem to be betes at an explanation of the self-importance. People have been attempting to secure their identities forever. At first this search seemed synonymous with a search of an origin. Religious doctrines were devised to explain who people are and if not, how they should be. However, ones identity or soul or true self is not a stagnant or secure identity. Ones character or self is always apt to evolve with age and experience, or quicker, cyphering on situations ilk if one is drunk (Cassio), etc. The ambiguity of peoples personage is a composition Shakespeare explores in most of his works. He does so with many means the intake of costumes, magic, dishonesty, and most frequently with confusion. Characters in Shakespeare are never what they seem. Hamlet says, I know not seems. Iago says, Im not what I am. Henry V says, expect not that I am the thing I was. What Shakespeare seems to be doing is interruption down identities. We develop a discourse of pattern-based predictions about who people are and how they will behave. When people act differently or out of our light of their character we assume something is wrong. We all fester a natural tendency to seek black and white or at least know where people stand. Trust and honesty, declared and respected virtues, are based on this inherent need. Shakespeare again and again breaks these beliefs down by basing all fundamental action in his plays on people acting out of their comprehend characters. Examples include the love quadrangle in A Midsummer Nights fancy t he rejection of Falstaff in Henry IV, Part 2 Othellos struggle with Desdemonas potential sleeping around Claudio and Prince Johns assumption of Heros whorishness the Archbishop, Mowbray, and Hastings belief in the honor of Lancasters inferred intentions etc. So often in Shakespeares plays, characters put on disguises and wear masks to hide who they truly are for some purpose or another. So much of his story lines depend on instances where peoples assumptions are false perceptions of who someone really is.